{"id":1606,"date":"2016-08-31T13:08:59","date_gmt":"2016-08-31T11:08:59","guid":{"rendered":"https:\/\/chastel-marechal.com\/en\/?page_id=1606"},"modified":"2026-09-15T13:29:21","modified_gmt":"2026-09-15T11:29:21","slug":"georges-jouve","status":"publish","type":"page","link":"https:\/\/chastel-marechal.com\/en\/georges-jouve\/","title":{"rendered":"Georges Jouve"},"content":{"rendered":"

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Georges Jouve (1910-1964)<\/h1>\n

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Georges Jouve<\/strong> is one of the most important ceramicists<\/strong> of the 20th century.<\/strong> Inspired by the ancestral traditions of pottery in Provence, he is known for his unique techniques and imaginative concepts. We can find among his most remarkable works cylindrical vases, but also all kinds of lamps and elaborate mirrors.<\/p>\n

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Georges Jouve, his origins<\/h2>\n

Georges Jouve<\/strong> was born in 1910 in Fontenay-sous-Bois in France. His parents were both decorators. His family encouraged him to pursue a career in architecture and mural decoration. At the age of 17, he enrolled in the prestigious \u201c\u00c9cole Boulle\u201d where he received a theoretical education in art history, although he was mainly trained as a sculptor. During his study, he acquired the nickname \u201cApollon\u201d, which he kept later on. In 1929, he finally obtained his diploma. He continued to take courses of several free academies of painting (Jullian and Grande Chaumi\u00e8re).<\/p>\n

His career<\/h2>\n

After graduating, Georges Jouve<\/strong> starts a career as a theater decorator which will be interrupted by the beginning of the Second World War. He is taken prisoner by the Germans very early in the war. Jouve escapes in 1943. Of Mediterranean origin, he decides to take refuge in Dieulefit until the war is over. It is in this small Provencal village of Potters, that he discovers the art of ceramics.<\/p>\n

In 1944, Jouve returns to Paris where he sets up his studio on \u201crue de la Tombe-Issoire\u201d. Then, his creations distanced from traditional pottery to give space to personal and decorative works, inspired by the aesthetics of the 1940s. For 9 years, he never stopped exploring shapes, colors and uses. He approached both monumental ceramics and shaped pieces (vases, ashtrays, chalices, etc).<\/p>\n

French architect and designer Jacques Adnet (1900-1984) invites Jouve to work with him. He regularly participated in the \u201cSalons de l\u2019Imagerie and des Artistes D\u00e9corateurs\u201d (Imaging and Decorative Artists Salons), as well as in important exhibitions presented by the \u201cMinistry of National Education\u201d in Rio de Janeiro in 1946, in Barcelona and Vienna in 1947, in Milan and Helsinki in 1948, and finally in Cairo and Rome in 1950. In 1947, he also won a silver medal for a wall covering at the \u201cExposition de l\u2019Urbanisme\u201d (Urban Expo) in Paris.<\/p>\n

In 1954, Georges Jouve left Paris to settle at Le Pigonnet in Aix-en-Provence. His work then evolves towards simplified and smooth forms, with monochrome enamels, characteristic of the ceramics of the 1950s. His works are presented at the La Demeure gallery and Steph Simon\u2019s in Paris.<\/p>\n

Georges Jouve died in March 1964. The gallery La Demeure organized a large posthumous retrospective exhibition called \u201ctribute to Jouve, 20 years of ceramics\u201d the following year.<\/p>\n

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Works<\/p>\n

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Georges Jouve, “Cylindre” vase, large model<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, “Cylindre” vase, small model<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, \u00ab Fernandel \u00bb vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Orange “Pomme” vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Black “Pomme” vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, black “Pomme” vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Bird Lamp<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, ‘Molaire’ vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Sculpture lamp<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, White lamp<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, “Hublot” (porthole) mirror<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Black glazed ceramic plate<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, “Goutte” Bowl<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, “Galet” vase<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Bowl<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, Black ceramic coffee table<\/h3>\n <\/a>\n\n \n \n\n
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Georges Jouve, “Pomme” vase<\/h3>\n <\/a>\n\n <\/div>\n [\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1408,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1606","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nGeorges Jouve : son parcours | Galerie Chastel-Mar\u00e9chal<\/title>\n<meta name=\"description\" content=\"La galerie Chastel-Mar\u00e9chal, sp\u00e9cialiste des grands c\u00e9ramistes des ann\u00e9es 1950, expose r\u00e9guli\u00e8rement de rares pi\u00e8ces de ce pionnier de la c\u00e9ramique fran\u00e7aise.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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