{"id":7139,"date":"2017-06-27T15:57:50","date_gmt":"2017-06-27T13:57:50","guid":{"rendered":"https:\/\/chastel-marechal.com\/en\/bernard-aubertin\/"},"modified":"2020-07-10T09:19:14","modified_gmt":"2020-07-10T07:19:14","slug":"bernard-aubertin","status":"publish","type":"page","link":"https:\/\/chastel-marechal.com\/en\/bernard-aubertin\/","title":{"rendered":"Bernard Aubertin"},"content":{"rendered":"<p>[et_pb_section admin_label=&#8221;Section&#8221; fullwidth=&#8221;off&#8221; specialty=&#8221;off&#8221; transparent_background=&#8221;off&#8221; background_color=&#8221;#ffffff&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; module_class=&#8221;introductionartistes&#8221; custom_padding=&#8221;20px|120px|20px|120px&#8221; custom_padding_phone=&#8221;0px|||&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221;][et_pb_row admin_label=&#8221;Row&#8221; make_fullwidth=&#8221;on&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; make_equal=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; custom_padding=&#8221;||0px|&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Nom Artiste&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; module_class=&#8221;titressections&#8221;]<\/p>\n<h1>Bernard Aubertin (1934 &#8211; 2015)<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Row&#8221; make_fullwidth=&#8221;on&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; make_equal=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; custom_padding=&#8221;||0px|&#8221; custom_margin=&#8221;||0px|&#8221;][et_pb_column type=&#8221;2_3&#8243;][et_pb_text admin_label=&#8221;Extrait biographie&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;justified&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<div class=\"column\">\n<p>N\u00e9 en 1934 \u00e0 Fontenay- aux-Roses, Bernard Aubertin \u00e9tudie \u00e0 l\u2019\u00e9cole des m\u00e9tiers d\u2019art de Paris et s\u2019int\u00e9resse aux mouvements\u00a0cubiste et futuriste. Sa rencontre avec Yves Klein en 1957 va l\u2019amener \u00e0 r\u00e9aliser ses premiers \u00ab Monochromes rouges \u00bb. Le rouge est selon lui une couleur dynamique, la plus appropri\u00e9e pour diffuser l\u2019\u00e9nergie. \u00ab Le rouge restitue l\u2019essence dynamique du monde \u00bb (Bernard Aubertin) .<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243;][et_pb_image admin_label=&#8221;Photo artiste&#8221; src=&#8221;https:\/\/chastel-marechal.com\/wp-content\/uploads\/2017\/06\/bernard_aubertin.jpg&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; animation=&#8221;off&#8221; sticky=&#8221;off&#8221; align=&#8221;left&#8221; force_fullwidth=&#8221;off&#8221; always_center_on_mobile=&#8221;on&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; custom_margin_phone=&#8221;50px|||&#8221; custom_margin_last_edited=&#8221;on|phone&#8221;]<br \/>\n[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Row&#8221; make_fullwidth=&#8221;on&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; make_equal=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; custom_padding=&#8221;0px|||&#8221; custom_margin=&#8221;0px||20px|&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_toggle admin_label=&#8221;Biographie compl\u00e8te&#8221; title=&#8221;Afficher la biographie compl\u00e8te&#8221; open=&#8221;off&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; closed_toggle_background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding=&#8221;0px|0px|0px|0px&#8221; title_font_size=&#8221;14&#8243;]<\/p>\n<div class=\"column\">\n<p>A partir de 1960, il d\u00e9bute les \u00ab Tableaux-clous \u00bb. Dans un premier temps, ils enfoncent les clous qui disparaissent quasi- ment sous l\u2019\u00e9paisse couche de peinture. C\u2019est par la suite qu\u2019Aubertin enfonce de longs clous \u00e0 travers le panneau de bois, les pointes sont ainsi tourn\u00e9es vers le spectateur.<\/p>\n<div class=\"column\">\n<p>Il entame en 1961 ses \u00ab Tableaux feu \u00bb r\u00e9alis\u00e9s \u00e0 partir d\u2019allumettes qu\u2019il enflamme et dont il reste les traces de fum\u00e9es et bois calcin\u00e9s.\u00a0Ils sont pour lui comme une \u00ab mise en cendres de la peinture \u00bb.<\/p>\n<div class=\"column\">\n<p>Il rejoint durant cette m\u00eame ann\u00e9e 1961, le groupe d\u2019artistes allemands ZERO. Il restera quinze ans en r\u00e9sidence en Allemagne aux c\u00f4t\u00e9s d\u2019Heinz Mack, Otto Piene, G\u00fcnther Uecker et d\u2019autres artistes du groupe. \u00a0En 1962, vient la s\u00e9rie des livres br\u00fbl\u00e9s. De La Bible \u00e0 un roman de Jules Verne en passant par Mein Kampf, il a br\u00fbl\u00e9 environ 500 livres dans toute sa vie.<\/p>\n<\/div>\n<div class=\"column\">\n<p>Groupe ZERO<\/p>\n<p>Revue d\u2019art fond\u00e9e en 1957 \u00e0 D\u00fcsseldorf par Heinz Mack et Otto Piene qui prendra le nom de groupe ZERO lorsque G\u00fcnther Uecker se joint \u00e0 eux en 1961. Ce mouvement d\u2019avant- garde international est fond\u00e9 sur l\u2019id\u00e9e de faire table rase de toute forme de cr\u00e9ation an- t\u00e9rieure et d\u2019\u00e9laborer une situation nouvelle, en harmonie avec les \u00e9l\u00e9ments physiques et naturels. Le r\u00e9seau d\u2019artistes du groupe ZERO s\u2019etend de l\u2019Europe au Japon en passant par l\u2019Am\u00e9rique du Nord et du Sud, incluant Enrico Castellani, Dadamaino, Lucio Fontana, Yves Klein, Yayoi Kusama, Walter Leblanc, Piero Manzoni, Almir Mavignier, Jan Schoonhoven, Daniel Spoerri Jes\u00f9s Rafael Soto, Jean Tin- guely ou encore Herman de Vries.<\/p>\n<\/div>\n<p>\u00ab Je suis un pyromane invert\u00e9r\u00e9. Mon message c\u2019est le feu. \u00bb (Bernard Aubertin)<\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;Row&#8221; make_fullwidth=&#8221;on&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; make_equal=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Titre \u0153uvres&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; module_class=&#8221;titressections&#8221;]<\/p>\n<p>\u0152uvres<\/p>\n<p>[\/et_pb_text][et_pb_portfolio admin_label=&#8221;Liste des \u0153uvres&#8221; fullwidth=&#8221;off&#8221; include_categories=&#8221;246,245&#8243; show_title=&#8221;off&#8221; show_categories=&#8221;off&#8221; show_pagination=&#8221;off&#8221; background_layout=&#8221;light&#8221; hover_overlay_color=&#8221;rgba(255,255,255,0.6)&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; posts_number=&#8221;80&#8243;]<br \/>\n[\/et_pb_portfolio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bernard Aubertin (1934 &#8211; 2015) N\u00e9 en 1934 \u00e0 Fontenay- aux-Roses, Bernard Aubertin \u00e9tudie \u00e0 l\u2019\u00e9cole des m\u00e9tiers d\u2019art de Paris et s\u2019int\u00e9resse aux mouvements\u00a0cubiste et futuriste. Sa rencontre avec Yves Klein en 1957 va l\u2019amener \u00e0 r\u00e9aliser ses premiers \u00ab Monochromes rouges \u00bb. Le rouge est selon lui une couleur dynamique, la plus appropri\u00e9e [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-7139","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bernard Aubertin - Galerie Chastel Mar\u00e9chal<\/title>\n<meta name=\"description\" content=\"Bernard Aubertin\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chastel-marechal.com\/en\/bernard-aubertin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bernard Aubertin - 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